
In bourgeois literature, the woman makes an appearance almost exclusively as a sexual type. The dissection of the causes of conflict between the sexes is the dramatic center point. Penetration into the foundation of the self, the exposed avowal of subjective passions, private problems, and erotic lapses.
There are multiple feminine destinies: dark and full of suffering, fantastically adventurous, tenderly yearning-but they are always variants of the mother and lover type.
Reality however does not adhere to the rules of art. The type of woman invisible in literature, for whom the question of the sexes is in no way the determining content of life anymore, stands amidst our reality, in the factories, the offices and the workshops, she drives tractors and experiments in laboratories, presents reports in the party cell, bears children and languishes in the dungeons of the reaction. And, in the end, literature also had to come to terms with this.
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